1,146 Royalty-Free Audio Tracks for "Gypsy Musical Scales"

Author: Jaser 12345, made and released by myself into the public domain.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

*Semicomma on C. 2109375:2097152 = 10.06 cents. Limit: 5-limit.

*Orwell comma on C. 1728:1715 = 13.07 cents. Limit: 7-limit.

*Pi on C. π = 3.14159 = 1981.79 (octave and 781.79 cents) cents. MIDI pitch bend: 79,59

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

*Wallis product (pi/2) on C. π/2 = 781.79 cents. MIDI pitch bend: 22,90 on P5

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

Ives quarter tone fundamental chord.

Octaves marked lowest octave. Created by Hyacinth (talk) 07:51, 3 January 2012 (UTC) using Sibelius 5.

Dominant minor ninth flat five chord on C. C E Gb Bb Db.

*Major second on C = D. Equal-tempered: 22/12:1 = 200 cents. MIDI pitch bend: 0,64

Perfect octave on D-sharp, as MIDI.

*Major seventh on C = B. Equal-tempered: 211/12:1 = 1100 cents. MIDI pitch bend: 0,64

Ascending and descending scale played in E major

Ogg Vorbis sounds file of scale: C Melodic minor

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

20 steps in 72-et on C: 333.33.

*10 steps in 13-et on C = ??. Equal-tempered: 210/13:1 = 923.08 cents. MIDI pitch bend: 49,71

*2 steps in 13 equal temperament on C = ??. Equal-tempered: 22/13:1 = 184.62 cents. MIDI pitch bend: 9,59

*26 steps in 31-et on C = ?. Equal-tempered: 226/31:1 = 1006.45 cents. MIDI pitch bend: 8,66

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

Augmented major seventh chord on C

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

*2 steps in 23 equal temperament on C = ??. Equal-tempered: 22/23:1 = 104.35 cents. MIDI pitch bend: 50,65

A glissando upwards from middle C to the C an octave above.

*10 steps in 11-et on C = ??. Equal-tempered: 210/11:1 = 1090.91 cents. MIDI pitch bend: 11,61

*2 steps in 11 equal temperament on C on C = ??. Equal-tempered: 22/11:1 = 218.18 cents. MIDI pitch bend: 104,69

Picardy third example from Johann Sebastian Bach's cantata Ich habe genug, BWV 82 in G Minor at a cadence in the right-hand of a realised continuo part Created by Hyacinth (talk) 22:13, 13 July 2011 (UTC) using Sibelius 5.

A short extract from a rendition of a traditional song by the Butterfield Blues Band from the 1966 album East-West.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

Sound file of the natural A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Ascending and descending scale played in E flat major

Octave on C. 64/1: 7200 cents.

*Diesis on C = D-. 128:125 = 41.06 cents. Limit: 5-limit. MIDI pitch bend: 18,77 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 18,77 for 41.064453 cents rather than 0.

*Septimal kleisma on C. Just: 225/224 = 7.71 cents. Limit: 7-limit. MIDI pitch bend: 60,66

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

*Euler's number (e) on C. e/2 = 2.71828/2 = 531.23 cents. MIDI pitch bend: 127,73

*Chromatic diesis on C. Just: 27:26 = 65.34 cents. Limit: 13-limit. MIDI pitch bend: 116,52

*Breedsma on C = E♭♭♭+. Just: 2401:2400 = 0.72 cents. Limit: 7-limit. MIDI pitch bend: 30,64

Octave on C. 16/1: 4800 cents.

*Ragisma on C = C♯-. 4375:4374 = 0.396 cents. Limit: 7-limit. MIDI pitch bend: 16,64 SAME PITCH BEND AS File:Decameride on C.mid

*Euler's number (e) on C. 2.71828 : 1 = 1731.23 cents. MIDI pitch bend: 127,73

*Quarter-comma meantone minor third on C. 6:5÷(81:80)1/4 = 310.26 cents.

Diatonic scale on C in 17 equal temperament. Steps: 0, 3, 6, 7, 10, 13, 16, 17. MIDI pitch bend matches intervals.

Enharmonic scale [segment] on C. Quarter comma meantone temperament. Note that in this depiction C♯ and D♭ are distinct rather than equivalent as in modern notation.

Bad guy/"Villian" motif/riff.